(copied from joy division central)
Anyway, some of our forum members are very well qualified to tell us exactly how the new CDs differ from the originals - and I'm looking forward to hearing what they have to say. I listened to a bit of Unknown Pleasures earlier and I'm sure it sounded a lot richer ...
Can't comment on the albums themselves (well, I can as I've heard pre-release CD-Rs of what are presumably the final versions, though I won't presume to know exactly the provenance of what we have on these reissues as far as the albums themselves go) but yes, I am very well qualified to discuss the live sets ;)
Please note that yes, the band/Warners are aware of the strong desire that 24 Hours should have been included on the Still CD reissue. It's unfathomable why they still didn't include it - while the CD running time as-is tops off near 80minutes, alternatives were suggested that would have made it possible while maintaining everything else that is on this release....
1) UNKNOWN PLEASURES CD2 The Factory, Hulme 13 July 1979
This was taken from a tape in the Gretton archives (presumably - while the same source as H&S, we think it's a different tape than what was used for H&S) and mastered by Warners with no direction from "the team".
While better in most ways than what was on H&S (and the complete gig, too), anoraks will notice that it too has pitch issues. Warners were made aware of this but apparently at too late a date to correct. We are also aware of the other glitches that exist on this version, also which were noted too late to correct.
This gig was the consensus choice of the band for the UP reissue, and yes they were aware it was mostly available on H&S previously. Other suggestions were made, but the band kept coming back to this.
2) CLOSER CD2 University of London Union 8 February 1980
I'll let the other individuals involved out themselves if they choose (but hey, we're all listed in the liner notes for the CD releases), but Duncan provided us with his actual cassette master - which AFAIK wasn't previously digitally transferred - that, after careful digital transfer by a co-conspirator, I then mastered for this release.
We provided it to Warners, who sent it off to their final mastering guys for the final version we have here. It is indeed far better than any circulating version of this gig, in fact I'd go out on a limb and say it sounds better than Duncan's raw-from-tape version itself!
The version released here isn't a far cry from what we provided Warners with. Bernard apparently loves this gig.
3) STILL CD2 Town Hall, High Wycombe 20 February 1980
Same process and provenance as ULU - though Warners did edit down a bit and maximize a tad what was given them. That version did include the small The Eternal soundcheck bit with the sound guys talking about Ian and the bird sounds, but Warners decided to lop it off the final release....
Hooky says this is the best version of LWTUA he's heard on any JD recording.
The entire process from getting Duncan's master tapes until this release day took almost exactly a year... We received Duncan's masters (the cassettes themselves) the first week of September last year. It's been a long, arduous process but I'm glad it's over, and to have my name associated with these releases is something I'll carry in my heart until the day I no longer grace this mortal coil. It's been truly an honor to have been involved in this project so closely, and while challenging at times (to say the least), I'm going to be so bold as to say this project had the potential to be a huge disappointment for all had we not gotten involved when we did.
Drew Crumbaugh (that's me in the liners)