http://caughtinthecarousel.com/peter-hooks-top-10-joy-division-new-order-bass-lines/
In a Caught in the Carousel exclusive, legendary bassist and songwriter, Peter Hook, reveals to Paul Gleason the Top 10 bass lines that he wrote for Joy Division and New Order.
- “Leave Me Alone,” New Order, Power, Corruption & Lies, 1983
I love the mood of this song and how Barney’s [Bernard Sumner’s] guitar works around the bass line.
- “Twenty Four Hours,” Joy Division, Closer, 1980
I’m very proud of this one; I love the tempo changes.
- “Sunrise,” New Order, Low-Life, 1985
The bass line every bass player would love to have! It really drives the whole song and is New Order at their most rocky.
- “The Eternal,” Joy Division, Closer, 1980
A truly beautiful song.
- “Everything’s Gone Green,” New Order, Single, 1981 (Rereleased on Substance, 1987)
This song signalled the beginning of dance and electronica becoming an influence on us.
- “Wilderness,” Joy Division, Unknown Pleasures, 1979
This is really fun to play live, with three different riffs all combining to make quite a menacing tune.
- “At a Later Date,” Joy Division, Short Circuit: Live at the Electric Circus, 1978
Simply because it was one of the first complete songs we ever wrote!
- “Cries and Whispers,” New Order, Single, 1981 (Rereleased on Substance, 1987)
I loved exploring the use of harmonics on this track to be layered over the actual bass line.
- “Denial,” New Order, Movement, 1981
One of the most intense New Order songs ever and a fitting end to Movement.
- “Hurt,” New Order, Single, 1982 (Rereleased on Substance, 1987)
I could never manage to come in in the right key back then! But I think I’ve nailed it now…