BIGINLYCRA wrote:
bloodynora wrote:
i read it.
the journo in question pointed out that what's most perplexing about a female singer that's been around for 25 years is that she hasn't really got a voice.
I thought someone else might provide me with a synopsis, cheers.
I suppose it comes down to a question of authenticity. La Burchelle's point seems to be that Madonna is 'faking' ie feeding what voice she has through effects so it sounds good. The end result is surely how she should be judged? If people buy the record, it's successful. Does it matter how the sound was achieved?
Sounds like a big bunch of sour fuckign grapes to me. A bit like everything else she's written since she got on the Guardian payroll.
It's horseshit. Everyone gets better at things over time, so her voice now would require less "fairy dust" than it did back in the early 80's.
Sadly there WERE no such devices back then. The first time I heard shit electronicly dressed as silk was Sinead O'connor, MANY year later.
Besides, you can spot a modern software based pitch corrector at 1000yards (think Cher's do you BEELLEEEEEVE shite, or in a more subtle and correct usage...Krafty
)
So that's Pitch correctors out, which leaves dynamic and time domain effects, the same ones every single musician or singer has applied to their work on every single recording since the invention of the vacum tube and magnetic tape.