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new order & royalties

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This is an archived legacy thread. Replies are closed, but the discussion is preserved.

anyone any idea how much money new order have made out of royalties etc? estimates please!

regards

:nuts:

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Don't be silly! They don't get money from royalty. Maybe if they would've played at Princess Di's funeral.

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I can tell you that in terms of royalities (licensing) for a cover, it's near 8 cents a song per album... and that doesn't say how much goes to the band.

Other than that, I can't say! :shrug:

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They all live in nice big houses, own expensive playthings like yachts or tanks, and that's after having to fund Ryder's nose and Wilson's folly (and pay the taxman quite a lot). They've done ok.

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Originally posted by Chuck D They all live in nice big houses, own expensive playthings like yachts or tanks, and that's after having to fund Ryder's nose and Wilson's folly (and pay the taxman quite a lot). They've done ok.

They paid for a nose job on Shaun Ryder?! :eek3:

Didn't do a very good job.

They've got enough money to stop touring, which is a shame. :thumbdown:

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Originally posted by Chuck D They all live in nice big houses, own expensive playthings like yachts or tanks, and that's after having to fund Ryder's nose and Wilson's folly (and pay the taxman quite a lot). They've done ok.

Think they are among the "friends" that Ryder tells his solicitor about in the Ecstasy & The Agony documentary then? :lol:

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Their personal fortunes...

Barney - £47.50 (he spent it all on tuna) Hooky - £1.9 million (he sold his 1993 mullet to science) Steve + Gillian - £28 million (gillian actually wrote all the songs and also owns Ringo Starr) Phil Cunningstunt - £0.42p (has to pay 90% of his earnings to his hair technician)

:thumb:

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Originally posted by DoN > Originally posted by Chuck D They all live in nice big houses, own expensive playthings like yachts or tanks, and that's after having to fund Ryder's nose and Wilson's folly (and pay the taxman quite a lot). They've done ok.

Think they are among the "friends" that Ryder tells his solicitor about in the Ecstasy & The Agony documentary then? :lol:

Couldn't tell you, but we know whose profits went into funding the Mondays' Barbados "recording session".....

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Dont know if anyone knows the answers to the following.

Do the band still own the rights to their back catalogue?

Do they get the royalties when their tunes are played on Sky for instance?

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Originally posted by Simon Park Dont know if anyone knows the answers to the following.Do the band still own the rights to their back catalogue?Do they get the royalties when their tunes are played on Sky for instance?

I don't know. The publishing contracts are now with Warner Chappell rather than Fractured Music and Be Music. Maybe this is as a consequence/contractual obligation of being with Warners though.

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They didnt really have any money early on as they kept putting it back into Factory (lets pay them to release our records?-how factory of them!) & The Hacienda,which of course was the best club in england at the time. I think they struck some deal along the way with London about their back catalouge,hence the Best Of? 12 months after Republic. Probably owed more than they have ever been paid,but thats their buisness.

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Originally posted by Simon Park Dont know if anyone knows the answers to the following.Do the band still own the rights to their back catalogue?Do they get the royalties when their tunes are played on Sky for instance?

I remember Ian Broudie talking about the life of Reilly (sp?) being used on Match of the Day. He said they only have to pay royalties if the use anything with a vocal in. If they only use an intro etc the atrist gets nothing.:scratch:

Dave

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Originally posted by Chuck D Couldn't tell you, but we know whose profits went into funding the Mondays' Barbados "recording session".....

Pills & Thrills would've paid for that, surely?

That album was huge.

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Originally posted by Al Jarvis > Originally posted by Chuck D Couldn't tell you, but we know whose profits went into funding the Mondays' Barbados "recording session".....

Pills & Thrills would've paid for that, surely?

That album was huge.

Yeah it was about 12" across! :evil4:

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Originally posted by Chuck D They all live in nice big houses, own expensive playthings like yachts or tanks, and that's after having to fund Ryder's nose and Wilson's folly (and pay the taxman quite a lot). They've done ok.

You forgot Ryder's veins and mouth.

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Originally posted by Major Tarantino Their personal fortunes...Barney - £47.50 (he spent it all on tuna)Hooky - £1.9 million (he sold his 1993 mullet to science)Steve + Gillian - £28 million (gillian actually wrote all the songs and also owns Ringo Starr)Phil Cunningstunt - £0.42p (has to pay 90% of his earnings to his hair technician):thumb:

:laugh: Wouldn't that be a funny notion? After all, to find out they're a hoax and Gillian's been behind it all along... :laugh:

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Originally posted by stEVErythings Gone Green They didnt really have any money early on as they kept putting it back into Factory (lets pay them to release our records?-how factory of them!) & The Hacienda,which of course was the best club in england at the time. I think they struck some deal along the way with London about their back catalouge,hence the Best Of? 12 months after Republic. Probably owed more than they have ever been paid,but thats their buisness.

The deal with london was initally 3 albums. republic, best of, and the other one

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Estimates from average record sales/concert performances put total earnings from 1981-1996 at about £10 million, not including expenditure. I would not be surprised if (for the 1998 shows) they grossed half a million quid for teh four shows, as well as commanding a pretty darn good whack per show for the 2001-2 shows.

In terms of cash then, if Factory coughed up the right royalties, they were minted, though I believe when they signed to London part of the deal was that they got the £1million+ Factory owed them in Royalties. NewOrder are VERY well off. And good for them too.

The band own the old material (and have licenced it to London after forming CentreDate Ltd). After all, "The labels owns nothing, the artists own everything". Remember?

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