The following is a quote from an article in The Observer's Music Monthly magazine about Xenomania, the production house behind hits by Girls Aloud and Sugababes:
Initially reluctant to give examples of the sort of people he's turned down, Higgins is eventually beguiled into letting slip the names of Gareth Gates and Atomic Kitten, with Texas and - any diehard Factory snobs are advised to cover their eyes at this point - New Order among the commissions he has recently accepted. Listening to 'Graffiti My Soul', a standout track from the forthcoming second Girls Aloud album, it's easy to understand what might have drawn the wily Mancunians to Xenomania. Originally written for Britney Spears's last album - 'The record company loved it, but Britney's people said "Where's the chorus? Why are there no repetitive parts?"' - this song now sounds like a full-scale collision between Madonna, Michael Jackson and the Prodigy, with all three operating at the top of their respective games.
http://observer.guardian.co.uk/omm/story/0,13887,1261034,00.html
Any thoughts?