just a very brief reference:
The recording industry was slow to act, but over the last year and a half it has belatedly started trying to cash in on it all. Performers lost in the pop wilderness for a generation suddenly decided to get in touch with their old, often estranged mates, and get the band back together in the name of art, commerce or both. A raft of once-popular acts, from the danceable R&B group New Edition to the pop idols Duran Duran and George Michael to the more self-serious Tears for Fears to the standard-bearers of teenage angst, the Cure, all shook off the dust and signed new recording contracts in the past 18 months or so, releasing CD's of new music in some cases for the first time in 15 years. In the footsteps of Motley Crue's double album, the stylishly snarling Billy Idol, the dark darlings New Order and the famously burly rapper Heavy D will be releasing new albums as well.
the whole article is here: http://www.nytimes.com/2005/02/13/arts/music/13leed.html? or if you don't like to register for nyt, or if it gets archived + removed, i saved it here: http://www.lossless.us/music/nyt-80s-20050213.htm
my first kneejerk reaction is, bloody hell, they mentioned new order in between billy idol and heavy d?!?
:D
beyond that, new order doesn't really belong with the rest of the '80s bands that the article talks about. they did put out an album in the '90s. and despite the long hiatus, obviously they never stopped making music. plus it seems nyt never noticed this thing called get ready.
but it's a reminder of how new order gets lumped in as an "80's band". i suppose that, for a sizable group of music fans out there, new order is just blue monday or bizarre love triangle or shellshock off the pretty in pink soundtrack, and that's that.