Not much of a review really, they spend more time spewing out the press' party line (talking about how relevant New Order suddenly seem to be) than about the new album, but here it is in any case:
The Killers. Interpol. Franz Ferdinand. Without New Order's influence they could have all ended up making albums of country & western ballads. Since the demise of Joy Division in 1980, the British synth-pop quartet has been diligently changing the course of popular music, lobbing unlikely but inventive hits like "Blue Monday" and "True Faith" into the charts. Twenty-five years on, New Order remains shockingly vital. Its eighth proper album overflows with shimmering melodies, anchored by Peter Hook's spine-tingling bass lines and Bernard Sumner's thin but emotive voice in thrilling new songs like "Krafty" and "Dracula's Castle."
I can't believe that someone actually got paid to write that. Good or bad, I wish they'd left us with an opinion of some sort, instead of wondering if they even bothered to listen to the album.