Skip to content

Stephen Hague Article

Archived

11 replies · 429 views

This is an archived legacy thread. Replies are closed, but the discussion is preserved.

Apologies if it's been linked before, but here's an article featuring Hauge talking exclusively about the composition of True Faith/1963Link

0 likes

Yeah, i read that article before - its a great insight into the way they work. Like Gillian sitting in the background with a keyboard on her lap - & having all her parts worked fully formed; while Hooky would just jam along to the track & see what would happen. There's NO in a nutshell - precise electronics, coupled with edgy punk attitude.

0 likes

i'm too lazy to click on the link. is this the sound on sound article? the funniest part of that article was how Barney "accidentaly" got locked in the studio one night with no food, and all he could do was write the lyrics to True Faith and 1963 virtually complete in that night. this was handy as up to then they had no words, and studio time was running out.

0 likes

That was an interesting read!:clap: :read:

0 likes

"I was very interested in what Rob had to say," Hague remarks. "He wouldn't make speeches, but a few words were said here and there, and it was clear that with this new collaboration he didn't want to see them take a hard right turn and come up with something that was inappropriate for their fan base. He was always protective of the integrity of New Order, and wanted them to build upon the reputation and credibility of Joy Division, not fuck it up."

Rob Gretton. RIP!

0 likes

I like how it clears up why the bass is so insanely low on every Hague-produced NO track.

0 likes

Hannett of the Apes wrote: I like how it clears up why the bass is so insanely low on every Hague-produced NO track.

Fuckinell yes! You have to listen to the Peel session True Faith to hear all the bass properly. :crazy:

0 likes

great article, thanks for the link! :thumb:

0 likes

Wasim wrote:

Hannett of the Apes wrote: I like how it clears up why the bass is so insanely low on every Hague-produced NO track.

Fuckinell yes! You have to listen to the Peel session True Faith to hear all the bass properly. :crazy:

hmmm....

now that i would like to hear. anyone?:D

0 likes

Tracey Spivey wrote:

Wasim wrote:

Hannett of the Apes wrote: I like how it clears up why the bass is so insanely low on every Hague-produced NO track.

Fuckinell yes! You have to listen to the Peel session True Faith to hear all the bass properly. :crazy:

hmmm....

now that i would like to hear. anyone?:D

its on the In Session cd

0 likes

Wasim wrote:

Tracey Spivey wrote:

Wasim wrote:

Hannett of the Apes wrote: I like how it clears up why the bass is so insanely low on every Hague-produced NO track.

Fuckinell yes! You have to listen to the Peel session True Faith to hear all the bass properly. :crazy:

hmmm....

now that i would like to hear. anyone?:D

its on the In Session cd

oh. IMHO, not a proper version of the song. i was thinking (hoping) you had a Peelie version circa '87 up your sleeves.:smoking:

0 likes

thank you!

I really enjoyed this little read, it was a very nice snapshot with scenes I hadnt seen before...I like the depiction of Gillian, for example.

good stuff

0 likes

You're leaving NewOrderOnline

This link goes to an external website we don't operate, which has its own privacy policy and terms.

Destination:
Continue ↗