AgentWood wrote: i hope they'll tour again, now that i might be moving back to the UK and will have a chance to see them a time or 4 more.
LET's HOPE they don't THEN!![]()
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AgentWood wrote: i hope they'll tour again, now that i might be moving back to the UK and will have a chance to see them a time or 4 more.
LET's HOPE they don't THEN!![]()
ROCKET MICK wrote:
AgentWood wrote: i hope they'll tour again, now that i might be moving back to the UK and will have a chance to see them a time or 4 more.
LET's HOPE they don't THEN!
i'm taking this personally. i'm mad at you now, baldy! poo on you! :p
Nick King wrote:
steveone wrote:
Diamond White wrote:
This assumes they can afford to stop, which I doubt is the case anyway.
I cant understand this "new order aren
t that well off" attitude. ok,so they got ripped off/let down by Factory-it was fucking 15 years ago! How much do you think London/Warners gave them for the rights?,how many compilations have been out since? Hooky probably gets very well paid for DJing,then theres electronic and TV work,concerts. They aint poor and could stop tomorrow if they like.the financial side of things is,quite rightly their business. But its time we stopped feeling sorry for them-they are fucking legends after all!
:D
Nah, most musicians are exceedingly bad at finances, so the stories of them not being that "well off" are probably not that far off the truth...?
After all, don't forget that everything (and I mean everything) to do with a record's creation/promotion is paid out by the band's advance (which would have been for 'x' amount of albums)... After you've paid for artwork (Saville must cost a fortune! :p ), studio engineers, producers, remixers, studio hiring, promotional CD's, manufacturing, retailer's cuts off CD's, venue hires, gig posters/adverts, ticket agencies, etc, etc, etc....
...It's not that difficult to end up with pretty much bugger all at the end of a record contract, and (in fact) end up owing the record company money after they let you go...
True, true. Plus, there's the fact that labels are known for (allegedly) stealing bands' money. So I don't imagine NO are as well off as most people might think.