Although most round here seem to think enjoyable reading constitutes flicking through the instruction manual for obsolete drum machines, one or two people might find the following interesting (from the book review section of this weekend's 'Guardian').
"Glenn Adamson and Jane Pavitt, the curators of the V&A show, point to the video for New Order's "Bizarre Love Triangle" as a paradigm of postmodern visual style. Its director, the New York artist Robert Longo, produced a palimpsest of decontextualised, pixellated imagery, incorporating a signature of his Men in the Cities series of images of contorted, falling figures dressed in business wear. Post 9/11 this is uncomfortable to watch, which makes it even more curious that Mad Men, the popular TV drama, alludes to Longo's figures in its title sequence, which has a businessman falling past a façade that inescapably calls to mind the most famously absent international style buildings in Manhattan, the twin towers of Minoru Yamasaki's World Trade Center."
Snide comments about 'New Order' being a simulacra these days are probably redundant. Elsewhere, the band get namechecked repeatedly in Gregg Araki's film "Kaboom". As ever.