Originally posted by Biznotic Love Trapazoid
So they send the set lists to London/Warners to get it approved and then to the promotors to see if they agree? Nonsense. I don't understand how any band doesn't have the freedom to change their set list. It's their fucking show they can play what they like. Except they fill the set with tracks they're sick of playing. Surely there isn't someone in a big office in London saying..."You better finish with Blue Monday or you can't get a new snazzy Flash Filled website to promote the box set"Barely maintaining respect...barely.PENSION PLANS - The real issue and mentioned on tour by Barney a few times.I am not a fan of REM anymore but they played a show here in Seattle that was unannounced, super cheap tickets, and filled with obscure album cuts and covers...They are on a major label etc...but still pulled out all the stops for a true Fan Show. Bjork let fans pick the tracklisting for her Greatest Hits collection and has released/is releasing several live shows in full. Now, who is in charge at the NewOrder camp? Certainly not Hook, Morris and Sumner. Sounds like they had very little to do with the box set with the exception of Barney worried about his vocals. It seems that when they lost Rob Gretton, they lost the spirit and attitude that WAS neworder. Now they come across as major label puppets.
Sorry, but I see things completely differently.
*Obviously I'm not saying there's any such direct influence exerted by their record company, tour organisers, management, etc, but it's incredibly naive to think there's no indirect influence. Do you think the band would continually attract the cash cow offers to play the big world festivals if they decided that for now on they're going to play the lesser known stuff we want to hear and lose the hits? At any given New Order concert (more so outside of the UK), MOST of the audience are punters who have a medium or passing interest in the band. They want to hear the True Faiths, BLTs, etc. The band are at a position in their career where they don't have to do the cool, unsafe, experimental set to gain kudos - they've been there, done that. Too esoteric equates to less cash. If NO arrive back from an unsuccessful tour playing none of the hits, they're a less valuable commodity for the record company. Record deals are less lucrative. They've now got mortgages, kids, pensions, etc to think about and your values in life change dramatically as you move towards 50.
I'm not implying that they can't 'gain a few / lose a few' tunes into their sets, I'm just explaining why there will always be a formula to their playlist. It's naive to think that these factors don't play a role. Do I support it? As a hardcore fan, no. Can I appreciate the context in which it occurs? Yes.
*"Barely maintaining respect". You're being incredibly harsh. I assume this is one of your trademark inflammatory comments. Look at some of New Order's contemporaries and tell me who's maintaining respect?
-NO, reconvening after a long hiatus and delivering a popular AND critically acclaimed album in today's unwelcoming plastic pop / soul, R&B / nu-metal / boys with guitars -dominated market AND then travelling the world to deliver their fans some long, long, long awaited live shows.
-The Cure (a living parody); Depeche Mode (delivered a dog with fleas last album); PSB (haven't put out a half-decent tune in almost a decade); The Smiths / Stone Roses / Mondays et al, (internally combusted).
*"Pension plans" are an implicit issue. It will be for you when you're older also. How many musicians continue to take risks, go off on successful creative tangents, remain cutting edge, maintain the rage, the youthful energy, etc when they're into their 30s/40s? It's not a common trend.
*REM are less reliant on technology to produce their music than New Order. NO are less able to chop and change their setlist without major involvement of others. It's not a simple comparison. Yes, New Order appear lazy and should have got Mr Lyons to facilitate the integration of new tunes into the set. And maybe if they practised more they could play more of the guitar-based songs. But part of their charm is their pioneering use of technology and their inadequacies to ever completely master it. They're a slave to it now.
*As you've eloquently mentioned previously, "New Order don't give a fuck about their fans". Untrue.
-You may want to make a basic discrimination between fans and hardcore fans. There's a valid argument that every time New Order play BLT live they are most certainly 'pleasing their fans'. That's what the masses come to hear. Hardcore fans may disagree but they're less numerous and carry less weight.
-Second, what the hell do you think Retro is? Four discs chosen by respected industry fans PLUS the addition of disc 5 solely due to the feedback of grass root fans like us. Given the accompanying personalised text from the booklet (as evidenced on the Retro website), it appears the band had plenty of direct contribution on the release. What exactly do you want? Be realistic. To finance an expensive, lush-looking project like the box-set you actually do need to be guaranteed to sell a few copies. From what I'm seeing, Retro is an admirable combination of hits, remixes, album tracks regular punters may not be so familiar with, previously unavailable live tracks, a whole bonus disc of gems for the hardcore fan, complemented by a comprehensive booklet and the band's own sleeve notes. Consummately packaged by Saville. Is this the end product of a band who don't give a shit?
I've rambled. Well done if you've read it. Incessant, myopic criticising of the band who've delivered so much makes me wonder why bother remaining a fan?
:\pimp3: