Your favourite side project album sleeve?

I agree about Music... nice arse!

You've got to include singles as well, and for me Getting Away With It wins hands down.

Thought they were all a bit shit really. The Other Two & You did have that refective card sleeve over the normal one though. Singles were far better artwork though.

Getting Away With It/Lucky Bag is my favourite art cover.

That Electronic - Electronic cover is pants

twisted tenderness. it's always nice to see ra-ra-rasputin, lover of the russian queen.

Superhighways, then Music for Pleasure- what was that cover / insert all about? I notice new things in it everytime I look...

craig's digitalwaters wrote: ...Music for Pleasure... I notice new things in it everytime I look...

I do too! Everytime I pick up the cover, I'm constantly inspecting it for things I swear I didn't see before. So intriguing.

I really liked the Getting Away With It 12" Art work

andrew moffat wrote: beeingadesignermeselfithinksavillesgoneorffabitthelastsleevedesignforsirenphotographicallyexcellentbutunderstatedandasforthetypographytooweakiblamefarrowbutthensavilleblowstheartdirectionnowformorespiritualconcernshoweverneworderhavealwayshadagraphicdirectnesssimplicityandemotionalambiguitymyxpectationsarehighafterallthereiszerotextualinformationandverylittleotherthanthelyricsitsjustthattometheliteratureiscriticallyimportanttothegestaltofneworderandihopeiwillbeaskedtodesigntheirnextconcept

I didn't hear a thing you said.

Music For Pleasure gets my vote by the way.

one true passion sleeve always, erm cheered me up, i had it on a t shirt also and was forever getting strange looks from people.

i thought the first electronic sleeve was so bad it put me in a cunt of a mood for ages(the album im talking about, not the first single which i loved) twisted tenderness is probably the best album cover electronic had.

I always liked RTP, the pic and all the green was very soothing... But best of a not very good bunch really...

Snorri xxx

you were not required to have an auditory response but a visual one or a kinesthetic one try n be a little flexible

in order to enjoy the neworder experience its best to be english and know something of cultural influences, the trick is to have emotional and cultural intelligence the dominant response to neworder is kinesthetic that is auditory visual and kinesthetic altogether, peter saville gets this, but others dont. i use the neworder experience as an emo management tool just as dinkity doo dah they do three cheers for emotional rapport :\ohwell: if nobody votes for monaco im going to **** kirschor wear a suit andlive in australia

monaco

its the best sleeve because it stays true to the original concept ie its all about people and their social conditions, our lives and sharing our perspectives this is true to the original thread or theme that ian curtis wrote about in his poetry and the new ordermusic that followed like bernies lyrics and music was respectfully following from the auteur and origin ok,links are links but follow-through is important for the response to be congruent and the message is repeated until the link is broken thats why other side concepts fade unsuccessfully consistency, reliability and truth our responses are stimulated and we reflect backwards: memory, history, points of significance in our lives which are echoed in the vak experience look at the sleeve design revisit your response, and vote for monaco do it for me

I voted for Electronic -- it still moves me.

Emma

Music for the pleasure

Music For Pleasure, because it's nice to search new details from the sleeve.

TOT&You

I like TOT&Y but Superhighways is the bomb. Can anyone give me any info on the insers? Like, did the othet two do sleevnotes or was it just blank. I looked it up on the web but I couldnt see anything.

You know copies of TOT&Y are going for $60 and $70 on Amazon.com.

Sleeve- Monaco's Music for pleasure Booklet- Electronic's Twisted tenderness (amazing graphics coupled with awesome photography...)

The worst one is, easily, Electronic's eponymous album. How such a great team of designers (Johnson/Panas) came up with such dross is beyond me...

mil wrote: I like TOT&Y but Superhighways is the bomb. Can anyone give me any info on the insers? Like, did the othet two do sleevnotes or was it just blank. I looked it up on the web but I couldnt see anything.

You know copies of TOT&Y are going for $60 and $70 on Amazon.com.

There are no sleeve notes in either of them, apart from the usual credits. I don't have a scanner, but here's what's in them:

OT&Y

Written by Gillian Gilbert & Stephen Morris. Produced by The Other Two & Stephen Hague. Engineered by John Jackson, Felix Kendall & Stuart James at Higher Plane, Simon Gogertly, Felix Kendall, Yoyo & Noel Rafferty, asssited by Chris Potter at Mayfair & Simon Gogerly & Richard Chappel at Real World. Recorded & Mixed at Higher Plane, Mayfair & Real World Studios. Backing Vocals on Tasty Fish by Jeremy Kerr. Guitars on Movin' on by Andy Wroe.

Thank you Flo, Les, Sam, Polly, A. Erasmus, John Chapman, Caroline, Robbie & Thomas, Chris Bernard, Making Out Team, Kirsten, Sam & Joe, M. H. Shamberg & Miranda, America's most wanted, Ian Jackson, Kim Wilde, Grant Boston, Mandy & Ben, Jane L., Martin & Pauline, Vanda, Eddie, Di & Amy, Tina (souns great), Kim, Danny & Sam, T. Atencio, Karen Berg, Craig Kostich, Steven Baker, Manja S., Keith E., Chris & Neil, Iain Adam, Nicki K., Jayne H., Rebecca B., Pete R., Tony M., Quincey Jones, Jim Swindell, Julie, Terry & Molie, Henry, Dickie, Sally, Rob & the other other two... & you.

Designed by Thomas Manss & Howard Wakefield @Thomas Manss & Company. Design consultant Peter Saville. Photography by Neil Cooper & Craig McDean.

Now Superhighways:

other two. superhighways

1 you can fly 2 super highways 3 the river 4 one last kiss 5 voitek 6 unwanted 7 new horizons 8 cold feet 9 the grave 10 hello 11 ripple 12 wierd woman

written by other two except 1, 2, 4 & 7 other two and mellanie williams 11 by other two and tim oliver, produced by other two and tim oliver. mixed by ash howes except 2 by hugo nicholson. 1 & 4 vocals by melanie williams. 2 by gillian gilbert & melanie williams. 2, 5, 6, 10 & 12 bass by paddy steer 3 by tim oliver. 2, 3, 4, 8, 10 guitar by mike mooney. 3 & 12 string arrangement by lynton naiff. additional keyboards and programming by tim oliver. recorded at higher plane and the wool hall. mixed at olympic and the townhouse. art direction peter saville. designed by paul hetherington and howard wakefield at commercial art.