EdelBrock wrote:
Comrade Shampanyov wrote:
EdelBrock wrote:
Though I think we should not cover up our mistakes, I care not for this movie you speak of. It comes at a time in which hollywood is trying to press anti-war sentiment. If the movie wasn't trying to be politically charged, I wouldn't mind, but its the subconscience message I don't like.
It's not an anti-war film. It's a film about a soldier trying to maintain his own morality-- when the men in his squad commit a war crime-- in the face of extreme pressure to both participate, and to look the other way.
Well that's hollywood trying to be clever by putting this movie out right now and subliminaly send a message.
The film was released in 1989.
So after leaving this movie, do you feel like joining the service?
Is that what you think the "meaning" of war films should be?
Does it make you feel that the military is full of unintellectual fools that only follow hollow orders?
Once more for those who weren't paying attention. The theme of the film is the struggle of one man to maintain his morality in the face of intense pressure to abandon his morality.
There are five men in the squad: Sergeant Meserve (Sean Penn), Corporal Clarke, and Privates Hatcher, Diaz, and Eriksson (Michael J. Fox). Meserve is 20 years old, New York City working class, and as becomes clear in the course of the film, brutal and immoral. Clarke is a psychopathic killer. Hatcher is a not-very-bright guy who does what his Sergeant tells him to do, and Diaz is a guy who wants no part in the rape, and makes a pact with Eriksson not to rape the girl, but caves in because he doesn't want the other guys to think he's a "fag." Eriksson is the only soldier in his squad who refuses to rape the girl. He's not the only soldier in the army who realizes the rape/murder was a war crime.
After she is murdered by the squad members, Eriksson tells his friend in another squad about it, and his friend says to go to Lt. Riley about it. Eriksson reports the murder to Lt. Riley, who does nothing about it, and then to his Captain, who tells him that a court martial will ruin Meserve's life. Eriksson finally tells a chaplain, and and the incident finally gets investigated, leading to courts martial for the four men involved in the rape/murder.
Now... It's not a film about a military "full of unintellectual fools who only follow hollow orders." It's a film, based on an actual incident, about one man confronted with pressure to abandon his morality.
Does it seem to have a similar feeling as Haditha?
I made that connection, the film didn't, and couldn't have, because the film was released 17 years before the Haditha rape/murders.
And what do you think the point of my connecting the two incidents was? If you'll recall, I responded to Cozzie's post drawing comparisons between Saddam Hussein's trial & execution with the Nuremberg trials. And as I previously said, we have one standard for war criminals from other countries, and a different standard for war criminals who happen to be American. And when we mollycoddle our own war criminals, we lose whatever moral high ground we had.
And since Iraq has been conviently linked to Vietnam as 'similar' by the media, you can't see how this crosses over as an antiwar movie, but more specifically an anti-Iraq war movie?
It's not an anti-war film, no matter how many times you say it is. It's a film about a man struggling to maintain his morality....