This was my 6th NO gig, although the first since '86. But it was similar to previous gigs (and perhaps not unlike NO's career) in that the performance could not live up to all the pre-show hype. We all love and treasure JD/NO's recorded ouvre, but can the live shows ever live up to such expectations? As perfect as NO are, the live shows often seem a bit... loose. Not that there's any person(s) to blame; Barney himself has talked about the need for the band to rehearse more. So we have a group of brilliant musicians who create such beauty in the studio, and then try to get it together to share the music in a live setting. It doesn't always work, but I'd still pay to be in the same room with them.
When it does work, it's transcendent. Just the bass line to "She's Lost Control" is a thing of resonant glory. And "Temptation" might be the classic New Order song, rising and spiralling like a dream dissipating in the pre-dawn light. It was just as precious last night as it was the first time I heard it at the Ukranian National Home in late 1981.
The new New Order (post Get Ready) is a riff-machine. A good riff-machine, unique to NO, but just a riff-machine. In a live context, those riffs were catchy, and hearing the Get Ready material (in my case, for the first time ever) the songs fit nicely in the set in a toe-tapping, rocking kind of way. But if NO's material consisted only of the last two CD's, I don't think I'd be a big fan.
It's the heritage that keeps us coming back for more, and wanting more than perhaps they can deliver. But they do try to appease -- some Joy Division material is put forward. But I agree with what a previous poster alluded to -- they can no longer play the JD stuff. I would love to hear "Shadowplay", but one gets the impression that without the necessary rehearsal time, the band just can't pull the JD chestnuts out of their bag. Two of the songs still work -- "Transmission" and "SLC", and there are moments in both songs when Stephen Morris' drumming breaks free, a dynamic industrial-strength explosion that reminds us of what attracted us to JD all those years ago.
"LWTUA" is of course a classic, but a difficult song for Barney to sing and it seems to have become nothing more than an anthemic crowd-pleaser. And "Atmosphere", shorn of it's distinctive synth riff, might only be an average JD piece.
But I will always love NO, in part because, like all of us, they are (pardon the cliche) survivors. Out of something dark and chromatic, they fashioned beauty and color. They embraced dancing, and joy, and silliness. This was important for them, and for us, in our maturation process. Now they seem to be content in middle-age, trotting out the riff-machine, and hitting the floorboards when they feel like it. More power to them.
The sad thing for me is that this is probably the last time I will see the band. Fitting then that the final song (in the regular set) last night was "Temptation", just as it closed the set when I first saw them 24 years ago. "Oh, it's the last time" will never sound more wonderful than it did yesterday evening.