Which single track do you think is Hannett's best work with either Joy Division or New Order?
I would wager to say Transmission, Atmosphere, or Disorder, but I may change my mind with other suggestions.
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Which single track do you think is Hannett's best work with either Joy Division or New Order?
I would wager to say Transmission, Atmosphere, or Disorder, but I may change my mind with other suggestions.
Originally posted by Mike Garrity I remember nothing
Aye, that's a very good one.
On a slightly related note, does anyone think the album version of Atmosphere should've ended with the same synth chord the live versions end on? That last extra note on most of the live versions just makes the chord progression resolve a lot better. (I apologize if I've described that badly, as I have no musical talent.)
Can't say, but if the story in 24HPP is right, She's Lost Control was a work of art.. putting Steve on the top of the building ![]()
Originally posted by Spotnick Can't say, but if the story in 24HPP is right, She's Lost Control was a work of art.. putting Steve on the top of the building
I hope he really didn't do that.
Originally posted by Spotnick Can't say, but if the story in 24HPP is right, She's Lost Control was a work of art.. putting Steve on the top of the building
I was in stitches when I saw Steve was still playing on the roof as the rest of the band drove off into the night, discussing the day's work ![]()
Originally posted by His Holiness, The Pope > Originally posted by Mike Garrity> I remember nothing
Aye, that's a very good one.
On a slightly related note, does anyone think the album version of Atmosphere should've ended with the same synth chord the live versions end on? That last extra note on most of the live versions just makes the chord progression resolve a lot better. (I apologize if I've described that badly, as I have no musical talent.)
Not sure I know an album version, unless you mean Substance or Permanent ?
Originally posted by Grant Hart > Originally posted by His Holiness, The Pope> > > > Originally posted by Mike Garrity> > I remember nothing>
Aye, that's a very good one.
On a slightly related note, does anyone think the album version of Atmosphere should've ended with the same synth chord the live versions end on? That last extra note on most of the live versions just makes the chord progression resolve a lot better. (I apologize if I've described that badly, as I have no musical talent.)
Not sure I know an album version, unless you mean Substance or Permanent ? Yes, the properly produced version that ended up on singles and whatnot. What else could I have meant? I should've said the single version.
That's a relief. I was thinking I may be missing something crucial. You're right about the final chord, though I do like the shimmer as well.
After listening to the Warsaw RCA album, all of them![]()
If I HAD to pick one, definitely NOVELTY.
Originally posted by little boy lost > Originally posted by Spotnick> Can't say, but if the story in 24HPP is right, She's Lost Control was a work of art.. putting Steve on the top of the building
I was in stitches when I saw Steve was still playing on the roof as the rest of the band drove off into the night, discussing the day's work ![]()
Or even better when the "doorman" at the Hacienda throw Steve and Gil out of the line. ![]()
"We pay your salary!"
In a Lonely Place and the first version of Ceremony with New Order, Decades and Dead Souls with Joy Division
Even though I love UP more, I can't deny the beauty of Closer. That's the best Hannett, end of discussion (but please continue anyways
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the best hannett work is the hannett work YOU like best, whatever that may be
personally im a fan of the production of disorder and i remember nothing. doesn't mean its hannetts best work