Originally posted by TLV > Originally posted by Bentley> For the record, I record at 24 bit to take advantage of the headroom and better sound but leave the sampling rate at 44.1. 44.1 sounds fine to me with the stuff I do.
I was going to add that comment that you want to keep a high bit-resolution when working with a track, and then in the mix-down take it down to 44.1k/16bit.
BTW: There are nice sound-cards for your computer handling 96k/24bit. Hammerhead is a name that pops into my mind. You're looking at 200-600USD.
Is there a difference between 44.1k and 96k? Well, my old DJ-ears have gone deaf and I can't really tell the diff. My audiophile-friend claims that it's like day and night. He is of course not really into electronic music... He also prefers DVD-Audio to SA-CD...
What do I want? I want all the New Order videos released on DVD. Preferrably with 5.1 sound. :D
/TLV
If you've recorded at 24bit, it' always best to save dithering down as the last step when it's mastered leaving your file at as high a resolution as possible.
The difference between 44.1 and 96 isn't that significant for the casual end listener, especially for rock oriented genres. Again, it all depends on the conversion... I've heard great a/d/a converters that sounded better at 16bit/44.1 than bad converters at 24/96. Again, it's all subjective to your own ears and far be it from me to argue differently.