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could oasis have been the saviour of factory records?

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hola, i was watching the jonathan ross show (a bit like letterman but more camp!) last week. Noel Gallagher (oasis) was a guest . he said that Factory records turned oasis down for a record deal as they we'rent good enough!(his exact words) Do you think that if Factory had signed oasis then perhaps they might still be around today? possibly ? definately maybe ?:laugh: or would they still have gone bankrupt?

regards

:nuts: p.s oasis are sh*te!

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I would have liked to have seen the Gallaghers square up to Tony Wilson. Those two knuckle-scraping neanderthals threatening to give King Ponce of Manchester a good thrashing.

I don't think Oasis would have saved Factory from bankruptcy because Wilson is an ineffectual old bastard who couldn't organise a piss-up in Boddingtons Brewery. Oasis needed someone at the time like Alan McGee who actually knows how to promote a band & do business.

Agreed on Oasis though, Nutster, the first album was OK (not the classic everyone says it is, though), the second was great, the third was fairly good but an overall disappointment, & the last two have been just plain shite. The trouble with Noel Gallagher is that he refuses to let his own musical style & tastes mature or develop, he's just stuck in the same rut he was in 1997, & until he gets out of it, he'll never make another record nearly as good as 'Morning Glory'. Take his new single with Ian Brown, for example, the pair just stand there like it's 1994 again with their duffle coats & gormless "I'm from Manchester, aaaarr kid" expressions, refusing to acknowledge that "rock `n roll", as they like to call it, has moved on & left them behind like a couple of unimportant old-age pensioners.

Noel is obviously sticking to his guns when he said in an interview years ago that "keyboards are crap" & he "would never use sequencers". Ironic really that Oasis are/were bosom buddies with an innovative musician like Peter Hook. Strangely not a clash of musical differences, there. Having said that, Monaco sounded like they were trying too hard to sound like Oasis on a couple of tracks from 'Music For Pleasure' so even Hooky was off the ball somewhat that time.

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Originally posted by :nuts:nuts hola, i was watching the jonathan ross show (a bit like letterman but more camp!) last week.Noel Gallagher (oasis) was a guest .he said that Factory records turned oasis down for a record deal as they we'rent good enough!(his exact words)Do you think that if Factory had signed oasis then perhaps they might still be around today?possibly ?definately maybe ?:laugh:or would they still have gone bankrupt?regards:nuts:p.s oasis are sh*te!

When u say "they might still be around today" u're refering to Factory or Oasis?

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I think it was in NO story where AHW said he had the chance to sign Oasis and Pulp but didn't have the money. He said he really regretted it.

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i can just see the board meetings now

"YOU SPENT OUR MONEY ON THE F***ING HACIENDA?"

right though about NG, he is just making the same records over and over again.

and him and that wanker brown on Ross was annoying, why does he keep interviewing hasbeen twat musicians who show nobody else any respect

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I have "The Lost Tapes" some of the early stuff done by Oasis in 92 and 93, and other than the 3 or 4 tracks from Definitely Maybe - it was pretty raw stuff. Don't get me wrong I would have give them a contract:lol:

I think if Oasis could have made Definitely Maybe in 92, they could definitely have saved Factory, afterall between the first two albums they sold a good 15 million, mind you, I'm sure Factory would have managed to totally fuck that up as well:evil4:

Top Band.

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Noel is obviously sticking to his guns when he said in an interview years ago that "keyboards are crap" & he "would never use sequencers". Ironic really that Oasis are/were bosom buddies with an innovative musician like Peter Hook.

He was obviously happy enough to hook up with the Chemical Bro thers & Goldie(I think?) a few years ago.

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Originally posted by ShugZV© I have "The Lost Tapes" some of the early stuff done by Oasis in 92 and 93, and other than the 3 or 4 tracks from Definitely Maybe - it was pretty raw stuff. Don't get me wrong I would have give them a contract:lol:I think if Oasis could have made Definitely Maybe in 92, they could definitely have saved Factory, afterall between the first two albums they sold a good 15 million, mind you, I'm sure Factory would have managed to totally fuck that up as well:evil4:Top Band.

It would have been great if Factory had signed Oasis, 15 million units shifted would have kept Factory going, but then this is the label that didn't sign the Smiths or the Stone Roses. What the fuck was Wilson thinking? :confused2:

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Originally posted by mike watson > > Noel is obviously sticking to his guns when he said in an interview years ago that "keyboards are crap" & he "would never use sequencers". Ironic really that Oasis are/were bosom buddies with an innovative musician like Peter Hook. He was obviously happy enough to hook up with the Chemical Bro thers & Goldie(I think?) a few years ago.

Exactly, he's a bloody hypocrite. Plus, you'd think that if he is prepared to innovate on a "guest basis" with the Chemicals, Prodigy etc, you'd think he might one day wake up & try something different with his own band.

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Originally posted by Buffer Low:bestof: > Originally posted by ShugZV© I have "The Lost Tapes" some of the early stuff done by Oasis in 92 and 93, and other than the 3 or 4 tracks from Definitely Maybe - it was pretty raw stuff. Don't get me wrong I would have give them a contract:lol:I think if Oasis could have made Definitely Maybe in 92, they could definitely have saved Factory, afterall between the first two albums they sold a good 15 million, mind you, I'm sure Factory would have managed to totally fuck that up as well:evil4:Top Band.

It would have been great if Factory had signed Oasis, 15 million units shifted would have kept Factory going, but then this the label that didn't sign the Smiths or the Stone Roses. What the fuck was Wilson thinking? :confused2:

By 92 Factory were fucked for money, they went bust in the November so I think AHW knew he couldn't finance an album and Oasis would have been caught up in legal wranglings so just as well for them they didn't get signed.

Wilson already said he didn't have the money for The Smiths. Without the Hacienda, Factory would have been even better but the property decision may still have sunk them.

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He could have also signed Simply Red :D, but I'm with God at the end of 24hpp.

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Originally posted by The Haçienda must be (re)Built > Originally posted by Mr Ben> "YOU SPENT OUR MONEY ON THE F***ING HACIENDA?"

as one should

"Not My Idea"

quote from 'Loved it- the other track'

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Factory wasnt a conventional business, and therefore could never be "saved".

Oasis are and always were absolute Shit. They dont deserve to share the same city as Vini Rielly and New Order (even '93 NewOrder), let alone the same label.

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Originally posted by Clockwork C Factory wasnt a conventional business, and therefore could never be "saved". Oasis are and always were absolute Shit. They dont deserve to share the same city as Vini Rielly and New Order (even '93 NewOrder), let alone the same label.

Agreed. :thumb:

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Originally posted by Wasimple I think it was in NO story where AHW said he had the chance to sign Oasis and Pulp but didn't have the money. He said he really regretted it.

If Factory had signed Pulp, maybe Pulp would still be around today. Great band it was.

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Originally posted by Ben > Originally posted by Wasimple> I think it was in NO story where AHW said he had the chance to sign Oasis and Pulp but didn't have the money. He said he really regretted it.

If Factory had signed Pulp, maybe Pulp would still be around today. Great band it was. Nope, Pulp would have died as soon as Wilson started pumping every pound into The Hacienda and Factory, it's amazing New Order came out of it alive.

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