I was listening to Low-Life earlier and was looking through the linear notes. Obviously, NO produced one of their best albums, but which member actually did the production? Was it a collective effort from all four, or was it mostly Barney? What about for the other songs that Bemusic produced?
Bemusic
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I know that Barney initially came up with the name "Bemusic" (Bemused Music) but the way I understand it, the moniker has been used collectively between the 4 members of the band.
As for Low-Life, Brotherhood and Technique, I'm [fairly] certian is was a collective effort.
Check this next track out - you've got bass bins in space:D
http://www.neworderonline.com/MessageList.aspx?ThreadID=9931
Twice as Nice was released a couple of months ago, I think. didn't bother with it, since I think the first one was shite.
Thought the first one was excellent in parts, shite in parts:
Good stuff -theme, Paul Haig, Marcel King - oh, and Barney's remix of looking from a Hilltop is sublime - worth it for that alone.
However, there is some Shite - 52 street (basically sub standard 5 star) - quando Quango or whatever - sounded like fooking haircut 100 and there was some further filler....
Have ordered twice as Nice tho'.....
Originally posted by ShugZV© Check this next track out - you've got bass bins in space:Dhttp://www.neworderonline.com/MessageList.aspx?ThreadID=9931
Altern-8 fan?? ![]()
Originally posted by DShamen > Originally posted by ShugZV© Check this next track out - you've got bass bins in space:Dhttp://www.neworderonline.com/MessageList.aspx?ThreadID=9931
Altern-8 fan?? ![]()
Aiii, I was listening to a Dance / Rave compilation while I was posting;)
I'm pretty sure Bemusic were just the band themselves. After Hannett they didn't really take on any serious production (bar Baker) help until Hauge and the "golden" period of '87-'90. There's not doubting Hague had a big hand in shaping their best tracks like True Faith, and 1963. One of the problems with PC&L, Low-life and Brotherhood is while the songs are cool and they are really great records, the production has aged really badly. It's famous that all of the JD and early NO records have a more "modern" and well aged sound than anything the band did in the 80s. Those three albums desperately need to be overhauled in the mix department ideally, but folk who disagree with me don't worry, it'll never happen :)
Bemusic's "Theme" is one of the most pointless pieces of music I have ever heard. Really, what is the point of it? Messing around? It sounds like it should have been left on the studio floor, as the equally pointless Happy One was. I've never undestood people's affection for that track, I mean put it next to any track off Technique and it's almost comedy. ![]()
Ally.
Originally posted by Ally3000 I'm pretty sure Bemusic were just the band themselves. After Hannett they didn't really take on any serious production (bar Baker) help until Hauge and the "golden" period of '87-'90. There's not doubting Hague had a big hand in shaping their best tracks like True Faith, and 1963. One of the problems with PC&L, Low-life and Brotherhood is while the songs are cool and they are really great records, the production has aged really badly. It's famous that all of the JD and early NO records have a more "modern" and well aged sound than anything the band did in the 80s. Those three albums desperately need to be overhauled in the mix department ideally, but folk who disagree with me don't worry, it'll never happen :)Bemusic's "Theme" is one of the most pointless pieces of music I have ever heard. Really, what is the point of it? Messing around? It sounds like it should have been left on the studio floor, as the equally pointless Happy One was. I've never undestood people's affection for that track, I mean put it next to any track off Technique and it's almost comedy.
Ally.
Just because a song is recorded during a particular set of sessions doesn't mean is was meant to stand up againt the rest of the songs in said session. We will never really be sure what in god's name NO were thinking when these were done.
Besides, wasn't THEME done buy Hooky alone as an opening piece for...oh shit.
What was that group he was producing for back then???