One of the band's more solid albums, but a bit primitive. Still, that's part of its charm, I think. Some good rocking tunes on this one. Amongst their best. Hurt a bit by Barney's off-key singing, but whatever, it was 1983.
Age of Consent:
Classic track. One of those quintessential New Order songs. In their top 10 best. This is what New Order sounds like. Synths, guitar, rock, electronic. Eat your heart out. 10.0
We All Stand:
Long and low. Pretty boring song. The album's real weak point. Repetitive. It has a certain charm in its simplicity, but nothing great here. 5.0
The Village:
Whoops. Back to our scheduled program. Great dancy piece of pop music. Catchy drums, catchy synths. Great tune. 8.5
586:
If they'd cut the awkward and completely unnecessary intro, this would be a great track, Blue Monday's illegitimate little brother. Too much LSD went into the intro. 2 minutes later, we have a good dancy tune. Barney's high-pitched "hear you calling" always makes me laugh. 7.5
Your Silent Face:
Beautiful ode to Kraftwerk. Sequencers aplenty, very warm layers of synths. One of their best songs, even if it is a slower one. Not the danciest number, but great nonetheless. Features perhaps the greatest single lyric of any NO song, and I think we all know what that is. 9.0
Ultraviolence:
More Blue Monday revisited. Pretty decent track. The logical twin of 586. Lacking something, but still alright. 7.0
Ecstasy:
Inexplicable vocoder vocals put this into a weird territory. Hard to say if this is an instrumental or not. Related to The Village in sound, but a bit more ominous like Ultraviolence. Pretty catchy little track but a bit forgettable too. 7.0
Leave Me Alone:
One of the most melancholy songs of the band's career. Amongst the best guitar-driven tracks they have done. This is another classic, and a great way to end the album on a down note. Odd as they are, I really love the lyrics (if only Barney would sing them in key). The ending is magical as everyone drops out and it ends on a real note of finality. Love it. 9.5
Like Low Life, all of the songs on this album except for the first and last tracks seem to keep a consistent mood throughout--but especially on this album with musical elements being shared throughout most of the songs as variations of Blue Monday. Solid album altogether, helped by the Saville sleeve which is easily his finest single piece of work. This one put New Order on the map as their own entity, and deservingly so.