um, original poster dood:
Bass: E string 41.2 E0/28
Bass: A string 55.0 A0/33
Bass: D string 73.4 D1/38
Bass: G string 98.0 G1/43
(and hooky of course can often be found going all the way up to 196, 246, guitar tonal heights up the neck...)
look, not sure how to explain this, but hook's bass is gonna vary by hz depending on what note he rings....
and, sorry to break this to ya, but he does play more than one note on each song....
EVERY SONG WILL BE DIFFERENT.
and then on top of that, you have his chorus pedal which adds ring up and down out of that frequency...
and THEN, you add harmonics and other colorations which make up every instrument known to man, which means frequencies all the way up are crucial to his sound ... i.e. he hits an open G at 98, you want to be sure you are getting 196 as well to get pure hookdom.... and 392 as well.... all in the bass speaker spectrum....
and, look, they mixed and mastered the material so that the frequencies are all made ideal for you the listener...
so, in fact, it is better to have a close to flat response curve on your playback audio.... to hear it like they did, like hooky wanted you to.....
you crank up 80hz, and that one note is gonna ring louder than the others.... why are you happy to hear hooky play a G rather than a D????
you are a strange strange audiophile is all i will say.
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Mr Discography wrote:
Tarbox23 wrote:
Mr Discography wrote:
Hooky's New Order basslines were very high for bass guitar - more in the mid-range than the low end.
I'm guessing Joy Division stuff was a bit lower however, as they didn't supliment the songs with synth basses back then.
Andy
the new order synth basses actually tend to add the lower frequencies.
That's exactly what I meant.
I got ya.... didn't follow your train of thought, but now i get it..... sorry bout that!