Personally, I'm happy to wait another bloody 8 years for an album.
Just GIVE US SOME GIGS in the meantime.
Or at least write some bloody songs on the road, and don't lock yourselves away in the studio to churn out new choons.
Giving Hooky a run out on vocals at some point might be an idea, but not Gillian. I don't think she's 'all that' as a singer as it is, and it certainly wouldn't 'sound' like an Order record with a female vocal. She only sang one word on Avalanche and what a trite track that is.
The odd collobaration is fine, though I hope that anything along such lines won't hog centre-stage the way Billy Corgan / Primals did in the run-up to Grrrready's release.
Osbourne to produce, or the band themselves. Osbourne appears to be the first ever producer who allowed New Order to actually sound like New Order. Stephen Hague please take note.
Can Phil C write? I mean, I know he can play a bit, but was he the songwriting catalyst behind Marion? Must confess I always thought that was their lead singer? Someone correct me if I'm wrong. And, quite frankly, I've grown up listening to the song-writing talents of New Order not New Order plus a.n.other, so not sure I'd approve. Why not ask Roger Lyons or Andy Robinson to code a few sequencer lines? Or ask Dawn Zee to write her own backing vocals?
And no Joy Division songs for b-sides. What exactly is the point in that? Why not re-record Age of Consent or 5-8-6 or something? Doesn't seem to be any logic in that to me, just re-recording your old back catalogue. That could hardly be seen to be a forward step.
Must confess, I think this is gonna be another raaaack album. Don't think they combine their two genres too well nowadays. Just look at the live stuff - Touched, BLT and True Faith were standout rock/synth tracks but have been honed down to electropop numbers now - it seems only Temptation really meshes the two sides of their character these days. The more I hear 'Here To Stay' the more I think of it as a redundant electropop ditty, despite the attempted injected mettle of Hooky's bass (as he said himself, the Chemicals put him too low in the mix). Personally can't see 'em ever writing another Face Up, Round & Round or BLT (Bro'hood version). I think Barney exhausted his best synth ideas with the eponymous Electronic album. The prozac didn't help ... .