Skullcrushed wrote:
Zachery Starkey wrote:
"New Order did pioneer something that has become the norm [merging rock and electronica]. But I still think the awesome power of New Order is in songs like "Leave Me Alone", "Age Of Consent" and "Sunrise" - acoustic songs. That takes real balls and I must admit it was one of the things that saddened me about New Lieutenant or Bad Order or whatever they call themselves was that they put songs like "Age Of Consent" through sequencers. When you listen to it it doesn't work - for me at least. Maybe I'm too much of a purist."
Age of Consent was not played thru a sequencer during this last round of New Order dates. What is he talking about?
Also, at least for me, New Order were at their best when combinig pure electronics with live drums, guitar and bass. True Faith and Temptation are, for me, a million miles better than Leave Me Alone, Lonesome Tonight, and other songs of that ilk. Though I do love Sunrise!
Heresy! I love New Order's more electro stuff as much as the next man, and I'm no fan of the way Hooky's acted over the last few years, but Leave Me Alone and Lonesome Tonight are possibly my two most favourite songs of all time. It doesn't get much better than the long extended instrumental outros to both tunes- Hooky's bass solo in Lonesome Tonight, and Barney's guitar in Leave Me Alone. Just breathtaking. Not that there's anything wrong with True Faith or Temptation, they're fantastic tracks, but I don't think they're superior to the other two.
It's just a matter of taste. Lonesome Tonight and Leave Me Alone don't do anything for me at all. Not bad songs by any means, just don't get my ear.
True Faith, is, for me, a very powerful song as it reminds me very much of the neighborhood I grew up in, and what happened to a lot of the people I grew up with. Plus, it has a beautiful melody and is a top notch dance track.
Temptation does the same thing to me.
condemnation wrote:
Age of consent does use a backing track now, that's true. Steve doesn't count it in for nothing.
Age of Consent is totally live. Steve counts it in so everyone starts at the right time. Steve's hi hat, snare, and bass drum parts are all played live, and Gillian plays the synth bass part as well as the higher synth string parts live. What do you think is programmed?
Hooky also said that Bad Lieutenant played his bass parts on keyboards, when Tom Chapman was onstage playing them live on a Bass guitar.
leather_girl wrote:
autonomous wrote:
I love Hooky and he is right. I can't wait to see The Light again. All you haters need to take a fookin pill for christe's sake. Cheers, John.
I'm not a hater, but I just sometimes politely disagree, or ask questions, or talk about things based on what they have said in interviews.
For example, Hooky's stance seems to be that if one member leaves, they should not continue as that band. (Such as when Ian died, or when Hooky left.) But reading all these interviews he's done, he doesn't seem to think that when Gillian left.
I wonder why that is? Is it because she never told them to do so? Is it because of the reason that she left? Is it because he thinks he contributed more to NO than Gillian? Is it because his contributions are much more 'obvious' to the ear (that iconic bass sound) ---compared to Gillian's contributions, that he thinks this? I'm just curious.
Hooky's comments about Gillian smack of nothing but pure sexism, and Bernard said in his bio book that Hooky's sexist attitude towards Gillian pissed her off.
While, in her own words, "At the beginning I was just a human sequencer, but eventually I made my way and contributed more", Gillian was a big part of New Order's sound. Her twinkling synth melodies are all over BLT, True Faith, TBTHOG, and Technigue, and World in Motion was written by her and Steve (whatever you think of WIM it is a great pop melody).
New Order missed her contributions greatly on GR and WFTSC and now that she is playing live with them again, they sound much, much better.