I was going to boycott this gig due to the kindergartenesque public slanging match between Hook & Sumner that has rather tainted the New Order legacy for me. All rather sad and pathetic for a couple of 50+ year olds. However, I'm glad my wife talked me into going because it turned out to be a pretty good show, well attended by a bunch of 50+ year olds (myself included) plus the odd family group and a smattering of the young hip generation. As an aside, my 14 year old daughter is taking history at school this year and they're studying… the 1980s. She didn't seem very interested to hear my story of New Order's first Auckland show in 1982 though.
Anyway, the group was tight and "Peter Hook's replacement", as he was introduced by Barney, did a creditable job of replicating those well known upper register bass lines. I sorta expected the bass to be downplayed a bit in the arrangements and mix, but thankfully that wasn't the case. I guess the bass melodies are so fundamental to most of the hits that made up the set that they couldn't be relegated. The extra person on stage made for a much fuller sound - during Ceremony there were 3 guitars going, although Barney's lead lines were a bit lost in the mix. I'm not convinced that a Gibson SG should be ever be plugged into a Vox AC30, but that's just my personal bias.
The sound mix was excellent, Dian Barton on the desk, and the lighting and video projections were perfect. A couple of songs didn't have video - I guess they're still waiting for Peter Saville to deliver those ones...
The set opened with a short Elegia, segueing into an in-your-face rendition of Crystal. Most of the set was made up of the 80s singles - Crystal, Krafty & Regret being the only later material. An unexpected pleasure was the song 586 from Power Corruption & Lies, which had a tasty modern arrangement. BLT and True Faith got storming reworked versions, True Faith accompanied by clips from the brilliant original video.
I wonder if Round & Round was in the set especially so Bernard could venomously deliver the lyrics "If you mess with me, I'll get rid of you"???
The main set ended with an incredible, upbeat Temptation, with intro and outro being the cello riff from Lou Reed's Street Hassle. That brought a smile!
And after Bernard announced early on that they were ditching Blue Monday and Love Will Tear Us Apart, those songs were of course the encore. Nice to see Bernard playing a Rickenbacker 360 for Love - now that's what should be played through an AC30!