Well, I'll agree with a lot of those former sentiments, but Moby isn't really as much of an "artist" as much as he is a figurehead to people who need to latch on to the whole icon-as-artist thing, something that should have dissolved around 15 years ago but hasn't.
Moby represents electronic music to most people who have no idea what it is. He is a media figure that is related to the media's fascination of latching on to someone as patron saint of a musical movement, when having no idea what that musical movement was about initially. He's constantly been cover-paged and interviewed in magazines that have been lagging in coverage of any electronic music in the first place. I don't really blame this so much on him as I do the easy targets he presents to lazy journalists (his relation to Herman Melville the most obvious).
Techno, House, Drum & Bass, etc. along with any other significant musical progression of say, the last 80 years in my country, the U.S., has been black driven. All of the records Moby was playing early on in his djing days were from the ghettos of Detroit, Chicago, New York etc. These early incarnations of house, techno, etc. are what this music is about. The reason why Moby is so big is because labels and record industry people had no figurehead for electronic music because they didn't feel they could promote it. They saw it as a lost cause because anything outside of rap/hip-hop/r&b was not promotional for black artists with real soul, in their lackluster and wrong opinions.
The true people that should be garnering the respect that he gets are on labels such as UR, Axis, Metroplex, Transmat, Relief, Trax, Dance Mania, etc. Because these labels are still underground, thrive on being unique, and create true music, we are left with Moby. Which is not as much of a knock against Moby as one against journalists in the U.S. and their laziness. They need a centerpiece for the scene that they just have no clue about, really.
And the only thing I can say that I have against Moby is, well, he dated Natalie Portman, now, didn't he?