Originally posted by 404 error
I admit I'd never heard of Creed before and hope never to hear of them again (from the sound of it they seem like a right-wing U2, only more full of themselves, God help us). But do any American folk want to argue with the somewhat sweeping generalisation in the article about Americans wanting their live performances note-perfect? Surely if it were true NO would have no following at all over there, but then how does one explain the existence of all these 'jam bands' whose bootlegs seem to be everywhere on the net. I was hoping for a good transatlantic row here! :)
I would imagine a good percentage of 'em would want something near-perfect (including, god forbid, lip-synching live, for the teenybopper boy band fans), but apparently Creed's singer behaviour was really pathetic that night. Hard to say exactly how most mainstream fans feel about the subject these days (I've gone to exactly 2 big arena shows in the last decade: Neil Young with Sonic Youth 10 years ago, plus U2 on their last tour, so I'm not the best judge on that front).
I'm sure that the steep increase in ticket prices plays a big factor in the expectations of an audience, and while there are often Spinal Tap-ish moments for every band, I think some bands are better suited to handle those than others (much as you may dislike 'em, I'd definitely put U2 in that category, what with Adam missing a gig completely in Austrailia a few years ago, etc. ).
Sorry, but I prefer to go to smaller clubs and venues to watch bands and performers, where a 'warts 'n all' attitude is more permissible. One example from late last year: I caught a set from Sally Timms, vocalist from the Mekons, who was doing a small tour on the West Coast. Backing her was the female from the Spinanes plus another female, who is now playing in Stephen Malkmus's Jicks. Before the show, Sally was teaching the last female the chords to one song (John Cale's Half Past France). When the time came to play the song, the guitar player picked the chords in a very slow, careful manner, which added a wonderful shimmer to the song (if you've not heard that, it's in the style of the Velvet's Sunday Morning ) . It didn't sound exactly like the album, but I swear that all 75 people there held their breath for the 3 and a half minutes the song lasted.
However, if I went to see an "artist" like G. G. Allin
then I would deserve all of the abuse I would get, minus the flying feces of course. :)