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I have posted a few messages about NewOrder songs and the hidden parts that no-one notices. Well, someone mentioned the "Ive lost you, Ive lost you" bit in Age Of Consent (Things that make you go "OOF") and I remember noticing years ago, that there is a bit in that song where the snare is replaced by a sequencer, at least it sounds that way. Near the end, where the drum rolls are, after the words are finished ("Oooooh, oooooh, ooooh"). Ive always just accepted it as part of the song, but if you havent noticed, its quite interesting, especially when it gets changed back at the end. Just thought Id mention that. I`m bored...

...Whoo-hoo today is friday, partE night!!! Is anyone else necking tonight?

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Just say no Facsy ;)

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pigs cannot look up into the sky.

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Originally posted by Fac21 I have posted a few messages about NewOrder songs and the hidden parts that no-one notices...I remember noticing years ago, that there is a bit in that song where the snare is replaced by a sequencer, at least it sounds that way. ...it`s quite interesting, especially when it gets changed back at the end.

It is imperative that you post all such observations for my benefit...I love stuff like this, like when you can hear the bleed from the vocalist's headphones into the mic.

I never noticed that part before. My guess is that little synth snare is running throughout but hidden under the real snare. At the end, Mr. Morris heads to the toms for some diddling :drummer: and the synth snare emerges; when the keys come back in, he heads back to the live snare, which masks the syndrums (via a psychoacoustic phenomenon known as envelope masking).

Anyone bored by the original post has got to be comatose by now. But keep it comin', keep it comin'...

I'm a serious dork.

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Facsy and Gnu....founder members of the NewOrderOnline Should Get Out More Club. ;)

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Originally posted by Gnu Odor > Originally posted by Fac21> I have posted a few messages about NewOrder songs and the hidden parts that no-one notices...I remember noticing years ago, that there is a bit in that song where the snare is replaced by a sequencer, at least it sounds that way. ...it`s quite interesting, especially when it gets changed back at the end.

It is imperative that you post all such observations for my benefit...I love stuff like this, like when you can hear the bleed from the vocalist's headphones into the mic.

I never noticed that part before. My guess is that little synth snare is running throughout but hidden under the real snare. At the end, Mr. Morris heads to the toms for some diddling :drummer: and the synth snare emerges; when the keys come back in, he heads back to the live snare, which masks the syndrums (via a psychoacoustic phenomenon known as envelope masking).

Anyone bored by the original post has got to be comatose by now. But keep it comin', keep it comin'...

I'm a serious dork.

i did notice this a long time ago whats the point anyway wasnt that the cool thing to do in the early eighties anyway? i like it though oh fuck it :smoker:

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Originally posted by Ian Pillar > Originally posted by Gnu OdorI'm a serious dork.

i did notice this a long time ago

You noticed the change in the drum sound, or you noticed that I'm a serious dork? Either way, you're very perceptive.

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Originally posted by dave hibell pigs cannot look up into the sky.

that's true...

and did you know that it is also impossible to lick your own elbow...

and I bet several of you just tried!!!

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Well, you may not realise this, but there are actually FOURTEEN SEPARATE DRUM SOUNDS discernible on The Perfect Kiss 12" single alone. Suck on that!

:cool2:

:drummer: :drummer: :drummer: :drummer: :drummer: :drummer: :drummer: :drummer: :drummer: :drummer: :drummer: :drummer: :drummer: :drummer:

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Originally posted by Grigory Rasputin, the mad mystic of Petrograd > Originally posted by dave hibell> pigs cannot look up into the sky.>

that's true...

and did you know that it is also impossible to lick your own elbow...

and I bet several of you just tried!!!

actually my friend ned can lick his own elbow as he's double jointed. it's very bizarre.

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Originally posted by Gnu Odor I love stuff like this, like when you can hear the bleed from the vocalist's headphones into the mic.

Do you like this kind of stuff? Me too. So spot this: Joy Division, "No Love Lost", 00:06-00:07. You can hear Ian's breath at left channel.

This track has a very raw production, with a guitar only in the left channel and the another one only in the right, just like those old Doors recordings. I think this kind of recording was out of date even in 1977.

But I like it anyway. ;)

Ricardo http://www.carcasse.com/eterno

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