Arfur Fuscake wrote:
I also thought it very 'me, me me'. Lets be fair the reason NO songs sound do great is mainly down to the music, they are not going to stand the test of an accoustic set up.
The main problem for me with the show is that Barney can't remember anying that may be interesting. Unless I misunderstood even his explanation of EGG sounded absolute bollocks.
As for the 'new song' I'm sure we all know how this will sound once produced - New Order / Electonic at their worst.
Sorry, but its just not for me, me and me.
I suppose its a matter of opinion.
I think most New Order songs sound gorgeous and rather lovely when played acoustically on guitar or piano. True Faith, Temptation, Bizarre Love Triangle, The Perfect Kiss, Dream Attack, Regret, Confusion, and many, many other New Order songs sound wonderful when played acoustically.
A well constructed, well written song will sound good when played on just about any instrumentation. Most New Order songs are pretty well written with especially strong melodies, which is why a lot of them sound great when stripped down.
Matter of fact, Almanso has done some really beautiful acoustic based covers of New Order tunes, my favorite being his version of 'Everyone Everywhere".
I think the new song sounds great, and I think it was soung good when loaded with electronics. I don't know why you would think the production would be awful......Bernard did the lions share of the production work on New Order stuff and his production work for other people has always been really good. Tony Wilson thought Bernard was as good a producer as Martin Hannet.
Canuck21 wrote:
Simon Simpson wrote:
Was there only me that watched this and was staggered that everything was "I", "me" and "everyone else"?
Blue Monday was "his" arrangement of "his" favourite records of the time! Seem to recall hearing that Steve spent days programming that drum pattern.
Love they guy but it was ill advised going on this - they're New Order songs NOT his. Unless the "Other three" did nothing all this time in which case bring on his next solo project.
I did not get that "me me me" vibe as much as you did. I think that he usually did the arrangement (Debbie Curtis did say that Barney was the one usually doing the arrangements on JD songs so I presume he did the same with NO) and that the programming was something else. It's two different things I believe. He was the leader of the band like Ian was the leader of Joy Division, so his input was strong in regards to influencing the sound.
It might be also his style of talking without really meaning that everything was his. Like he said "his" song when the interviewer asked about "Love Will Tear Us Apart". I highly doubt he really thinks that's HIS song. He's part of the song writing team so he just says it's his. I think it's just his style of wording really.
Canuck is right.
Bernard Sumner was/is the leader of New Order. The arrangments on Blue Monday were done by him, as was most of the production work on Blue Monday. Tony Wilson said as much, and the great Peter Hook mentioned that Bernard played and programmed the synth bass lines of BM, which are the entire backbone around which the song was constructed. The idea for Blue Monday came from Bernard's desire to create a dance song similar to "Dirty Talk" by Klein and MBO and "You Make Me Feel Mighty Real" by Sylvester, as well as the whole bands desire to create a song that would play itself.
Bernard wrote the arrangement and basic melody of Blue Monday..and onto this skeleton, Hooky improvised his fucking brilliant and god like basslines, Steve came up with the drum patterns, and Gillian and Bernard came up with the synth parts.
Bernard was also the key architect of Temptation, Crystal (He actually wrote Crystal for some German pop star to sing), Regret, and many other New Order songs. He has always said in interviews that he writes a lot of the music and basic song structures, and then Hooky, Steve, and Gillian would create and add thier parts onto that.
Other New Order songs came from other members. I would bet money that Age of Consent started life as the lead bass line that Hooky plays....Hooky wrote that bass line and everyone followed and built on it. Its different on different songs.......Steve and Gillian wrote the music for World in Motion, Gillian wrote most of the music for Dream Attack (and played the great lead guitar line). Hooky wrote the main synth bass line that forms Touched By the Hand of God, the middle section of Krafty, and I would bet that he came up with the core riff for 60 MPH as well.
But a lot of New Order songs started life with Bernard. He was the leader of the band and in some cases, also the main songwriter.
Canuck brings up another good point....Bernard was the main music arranger in Joy Division. This is mentioned by both Debbie Curtis and Tony Wilson.
In David Nolan's book on Bernard Sumner, its mentioned that Love Will Tear Us Apart started with the Synth melody Bernard wrote, and that he and Ian jammed the song together (I think maybe it was Terry Mason who says he remembers Ian and Barney practicing the song alone together before Ian had any lyrics).
I didn't think he sounded egotistic in this interview at all...and in the past he has always been more than forthcoming about the creative input that Hooky, Steve and Gillian had on New Order songs.
And this is a matter of personal opinion...but I prefer the first Electronic album over anything that Monaco. Revenge, and the Other Two put out. Though I do like Monaco, Revenge, and the Other Two a lot.
As such, I am really interested in hearing Bad Lieutenant.