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Track by track scrutiny#1 Turn.

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I can't quite fathom why he would wish to go, who he's going from and why he would be embarrassed if somebody watched him leave the premises.

Other than that I've got the song nailed.

:hat:

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Patrick wrote:

depthcharge wrote:

Patrick wrote:

How could I be angry with you? You're one of my favorite Australians.

Dare I ask: how many do you know?

By the way, you may want to fix up 'favourite' before H causes another scene.

:\pimp3:

Well, there's you, and CTB, and lots of actors and tennis players, although it probably wouldn't be fair to say I really know them.

He may have meant the spelling favorite favourite

see?

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CuanaD wrote:

Patrick wrote:

depthcharge wrote:

Patrick wrote:

How could I be angry with you? You're one of my favorite Australians.

Dare I ask: how many do you know?

By the way, you may want to fix up 'favourite' before H causes another scene.

:\pimp3:

Well, there's you, and CTB, and lots of actors and tennis players, although it probably wouldn't be fair to say I really know them.

He may have meant the spelling favorite favourite

see?

Where exactly in "Turn" does "favourite" appear?

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CuanaD wrote:

Obviously Bernard had problems with this couplet we could rewrite it for him

something like 'I feel the presence of your stareyour eyes follow me everywhere'

rhymes & fits in with the sentiment

Isn't it a syllable too many?

How about:

"Weasels dancing everywhere Are we at the Marske Food Fayre?"

:\pimp3:

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Patrick wrote:

CuanaD wrote:

Patrick wrote:

depthcharge wrote:

Patrick wrote:

How could I be angry with you? You're one of my favorite Australians.

Dare I ask: how many do you know?

By the way, you may want to fix up 'favourite' before H causes another scene.

:\pimp3:

Well, there's you, and CTB, and lots of actors and tennis players, although it probably wouldn't be fair to say I really know them.

He may have meant the spelling favorite favourite

see?

Where exactly in "Turn" does "favourite" appear?

You are really trying to confuse me now

I think the point was that you wrote "favorite Australians" & depthcharge picked up on the americanised spelling of favourite.

Pretty sure it was meant as a joke, but at this stage - its just not funny anymore:D

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Major Tarantino wrote:

The song is 99.9% perfect.

The 0.1% is due to the "in the corner over there" lyric.

Otherwise, it's fucking genius. :clap:

I still struggle to bypass that part of the lyrics actually... c'mon, anybody would have done better than this... even the future/computer rhyme is better!

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Spotnick wrote:

Major Tarantino wrote:

The song is 99.9% perfect.

The 0.1% is due to the "in the corner over there" lyric.

Otherwise, it's fucking genius. :clap:

I still struggle to bypass that part of the lyrics actually... c'mon, anybody would have done better than this... even the future/computer rhyme is better!

Admittedly, it's the weakest thing in the song.

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Patrick wrote:

Spotnick wrote:

Major Tarantino wrote:

The song is 99.9% perfect.

The 0.1% is due to the "in the corner over there" lyric.

Otherwise, it's fucking genius. :clap:

I still struggle to bypass that part of the lyrics actually... c'mon, anybody would have done better than this... even the future/computer rhyme is better!

Admittedly, it's the weakest thing in the song.

Well, it's a good tune yes, still behind the title track on my list though...

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Spotnick wrote:

Patrick wrote:

Spotnick wrote:

Major Tarantino wrote:

The song is 99.9% perfect.

The 0.1% is due to the "in the corner over there" lyric.

Otherwise, it's fucking genius. :clap:

I still struggle to bypass that part of the lyrics actually... c'mon, anybody would have done better than this... even the future/computer rhyme is better!

Admittedly, it's the weakest thing in the song.

Well, it's a good tune yes, still behind the title track on my list though...

Perhaps it helps to appreciate Turn if English is your first language, because apart from that line, the lyrics are really extraordinarily beautiful and moving.

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im sure it sounds like "turn and your eyes follow me" on the 2nd chorus.

Do you think Barney even knows the words to these songs? I doubt it :laugh:

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no one's mentioned how much the opening sounds like Every Beat of the Heart by The Railway Children. "That's an angry sky behind me"...Railway Children with guest guitarist, Chris Isaac.

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i agree that it has that Chris Issak twang to it. One of the first things I thought when I heard it...along with it sounding like the more evolved brother of Hey Now What You Doing (by way of some Neil Young).

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I think it's the worst track on the album. It's completely bland, with a bridge that needs killing with guns.

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Think Patrick just spilt his morning Cream of Watercress Bisque.

:\pimp3:

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Yes indeed.

I wouldn't like to be wearing David Stetsons gunslinging outfit when P rides in on that mule. It ain't nice to laugh at a man's donkey.

:hat:

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For the moment, at least, I'm taking the position that this falls in the category of Muffy telling the world that Slow Jam was his favorite track on GR. Of course, this isn't Muffy (unless he's changed his name again).

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Huntsman wrote: It ain't nice to laugh at a man's donkey.

:hat:

Is it OK to have a chuckle at his ass?

:\pimp3:

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Patrick wrote: For the moment, at least, I'm taking the position that this falls in the category of Muffy telling the world that Slow Jam was his favorite track on GR.

I'm not quite sure what this means.

I'm not saying it to be controversial, but both Turn and Krafty sound incredibly forced when compared with the rest of the album. They feel like they're New Order's attempt to be relevant without being "too New Ordery" and thus they suffer terribly. In fact, I'd guess that Turn and Slow Jam aren't so far removed in terms of the creative process that went into them. They're certainly pretty similar in terms of quality.

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Dave Stephenson wrote:

Patrick wrote: For the moment, at least, I'm taking the position that this falls in the category of Muffy telling the world that Slow Jam was his favorite track on GR.

I'm not quite sure what this means.

I'm not saying it to be controversial, but both Turn and Krafty sound incredibly forced when compared with the rest of the album. They feel like they're New Order's attempt to be relevant without being "too New Ordery" and thus they suffer terribly. In fact, I'd guess that Turn and Slow Jam aren't so far removed in terms of the creative process that went into them. They're certainly pretty similar in terms of quality.

Everyone's entitled to his own opinion.

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depthcharge wrote: What if you're female?

:\pimp3:

I'm relieved to see you haven't gone to bed yet, DC. If you're female, you are certainly entitled to have an opinion as well. Do you have any particular female in mind, DC? Maya, perhaps? I'm quite certain she has her own opinions on everything.

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Well she sounds like she has a fair few opinions but your statement leaves me a little unclear as to whether she's entitled to them?

Of course I'm up, I've got spaghetti on the go and I'm bidding on a clutch of NO treats on eBay. What a night.

:\pimp3:

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depthcharge wrote: Well she sounds like she has a fair few opinions but your statement leaves me a little unclear as to whether she's entitled to them?

Of course I'm up, I've got spaghetti on the go and I'm bidding on a clutch of NO treats on eBay. What a night.

:\pimp3:

I tried to clarify that in my response to you, DC.

Have you voted on the bells, yet, DC? Or is that too personal a question?

Good luck with the spaghetti and the e-bay.

You may not have intended to, DC, but you've revealed that you like spaghetti. Or at least that you eat it. Or perhaps only that you prepare it.

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Spaghetti, AND pizza.

And let's not forget, DC has elaborated on occasion his liking of the modern sci-fi movie.

:hat:

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Huntsman wrote: Spaghetti, AND pizza.

And let's not forget, DC has elaborated on occasion his liking of the modern sci-fi movie.

:hat:

Perhaps I wasn't paying attention that day, H. Any specific movie?

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I think the genre as a black hole P, but perhaps he can expand on his preferred galactic battling. I wouldn't like to suggest that he liked Star Growlers stole my Flight Path when in reality he enjoyed Venus Fitters 2 better.

:hat:

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Huntsman wrote: I think the genre as a black hole P, but perhaps he can expand on his preferred galactic battling. I wouldn't like to suggest that he liked Star Growlers stole my Flight Path when in reality he enjoyed Venus Fitters 2 better.

:hat:

I will await further clarification from the source after the spaghetti has been consumed.

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As an aside, it seems a shame that your recent bell topic is hanging by a thread - it may be that the entire concept is solely dependent on your pioneering efforts.

The crisp bag that blew past Steve Morris' house could be the key to it all, to my recollection the only comment made by the weaving spaghetti merchant on the matter.

At the very onset you mentioned that a great revelation had occurred, that all NO albums were concepts. Is this a theory you have abandoned?

:hat:

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I haven't abandoned it, H, but I confess I haven't pursued it either. It just seemed that since WFTSC is so clearly a thematic whole, that there is a good chance the same is true of the others as well, since they do in fact all tend to have their own distinctive "sound" (in at least the case of Brotherhood, a bad sound). People have also frequently commented about distinctive "sides" (in the case of Brotherhood and Technique). But as I say I haven't pursued the theory any further.

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Dang, I missed the 3-track UK '1963' 12" promo by a solitary dead president but ended up victorious in the heavyweight battle for the sexy '?' Best Of promo box-set. You win some, you lose some, I guess. Stay tuned for my upcoming stoush for the French Weatherall 'Regret' CD promo. I see Spotnick's name in the bidding so things could get a little nasty.

I did consume the bowl of spaghetti P, so you can chalk that one up on the revealing profile you must now have on me.

:\pimp3:

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