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Hmm, don't you think Johnny Marr should have replaced that Chris guy?

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This is an archived legacy thread. Replies are closed, but the discussion is preserved.

Ray wrote: Rourke settled off court because he was so poor he lost his house and had to sell The Big Issue for money (!).

You're misquoting Andy Rourke. I thought it was very strange and I read that Mojo magazine again. Here's the quote about the legal dispute with Morrissey: "When [The Smiths] split up, all the assets were frozen so I didn't get paid for two years. I was on my arse. It took Mike 10 years, by which point I'd lost my house and would be selling The Big Issue, so I didn't really have a choice in the matter".

But on a similar note, Rourke did sell his Yamaha BB2000 bass guitar featured in the gatefold cover of "Hatful Of Hollow" on eBay a few years ago.

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Isamu wrote: Let me ask you...what the hell is The Big Issue?

It's a magazine sold on the streets by homeless people.

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Server Error in "/" Application wrote: If they wanted someone who would not "change" the band or "influence" their style, they should had hired Andrew Fletcher.

We would have a damn of a combination of whoops and claps!

oh man... i knew there was something i missed about this board. too funny.

you know, the both of them could dance around like jackasses as well. they could choreograph their jackass dance! what a show the order would put on!

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Ray wrote: Actually my only real problem with Morrissey is that he tends to do that; he just believes that being a genius means he should be getting all the money and credits, even if he's not the one doing all the job. Vini Reilly has written most of 'Viva Hate' and isn't mentioned in the credits at all; Rourke & Joyce... well; there are more people who sent him bills but never got paid. Basically once Moz stops needing someone, he also stops paying. Does that stop me from loving his output? No (sadly). Does that mean he is a total asshole? Yes.

*I agree with this but didn't know about Vini writing Viva Hate. I've always believed it was Stephen Street doing the music and Vini was the guest guitarist and as such may have contributed some tunes but basically shouldn't that album be by Morrissey/Street just like The Smiths were Morrissey/Marr?

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His Holiness, The Pope wrote:

Mike Rink wrote: (The Smashing Pumpkins didn't reunite)

And Phil is doing a damn good job, this last record is solid. My $.02

The Pumpkins will reunite within the next decade. The 20-year-rotational rule is still in effect, thus making everything 20 years old trendy again. We're moving into 80's more than 70's (as in the 90's), but the 90's will be back in style in the next decade. Then you'll see a lot of reunions.

please no

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:laugh: F*** No.

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Mick Aneworderfan wrote: I agree with this but didn't know about Vini writing Viva Hate. I've always believed it was Stephen Street doing the music and Vini was the guest guitarist and as such may have contributed some tunes but basically shouldn't that album be by Morrissey/Street just like The Smiths were Morrissey/Marr?

Vini Reilly: "Basically they wanted me to rescue these tracks, so I went away to have a think about it. I agreed, on the condition that I could re-write all the music from scratch. In fact there was actually one really good song -- Suedehead -- which Stephen Street had written, right down to the guitar solo. But it really was the only one; all the other music on the record is mine. [...] I've never been credited for these songs -- they're attributed to Stephen Street and Morrissey. My name doesn't appear at all on the recent reissue. Don't get me wrong, I have only admiration for Mozzer -- I met him in Manchester recently and we had a nice chat. I just want history to record my contribution accurately."

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They had a nice chat?! If I was Vini I'd just kick the shit outta da Moz! What a fookin bastard... I've got to terms with it, but didn't imagine it was SO serious...

And please, really, no 90s reunions. Worst decade in music history (Grunge! BritShit! CaliPunk! MetalPunk! MetalRap!), though this is a close second... at least the 90s had a good start with shoegazing, baggy and what was still left of acid house... some good alternative techno too... these Zeros are so, well, just void as the number... the Zero decade indeed, we're just getting some pretty revival of the 80s, but that's all... There are some good underground bands. Check the debut album from Tsuji Giri (featuring former Gabrielles Wish drummer Phil Considine) for a masterpiece of furious sonic genius, but bands like that are just well hidden in that underground...

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Sound on Sound magazine

:thumb:

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If Johnny Marr had replaced Gillian that would have been the end of New Order (well I think so!!) Phil was a brilliant choice and for the time being remains to stay!!! I think he has progressed from being a fan to a member of the band really well!!

In the past Phil has worked with Johnny Marr & he also was involved somehow with Electronic as he made a few tv appearances in uk with them late 96 early 97 (memory abit hazy but he did!!)

Leave of Phil as he as earned his stripes by now!

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My preference:

Gillian ~ New Order's missing ingredient

Marr ~ listen to Electronic: clearly Marr would have been an amazing addition to New Order as a lead guitarist and back up key boarder. Clearly, Marr's demonstrated unwillingness to tour and/or play live is a major barrie to him joing up with New Order. A feud between Hooky and Marr? never heard of it - probably only a rumor.

Chris ~ he's done a great job so far, however, clearly he can't measure up to Marr. But, does Phil's unassuming personality mesh better with Bernard and Hooky better than an established musician would? (Marr, for example.)

:smoking:

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I think phil did some of his best work directing those bjork and aphex twin videos.

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