Al wrote: "As I've said before, if people hear the opening bassline of Ceremony and think 'Oooh, Joy Division!' then I'm truly amazed."
It doesn't take much to amaze you then man. That song was created by JD, and it sounds like them, not New Order. That's why it (along with IALP) stands out so clearly from everything else NO plays, even in the early days.
It's a pretty simple song, so we can easily make some comparisons.
vocals - the lyrics are unmistakeably Ian's, as is the vocal melody, which resembles the vocal part from Atmosphere
drums - similar to Transmission, it is a typical contribution from Steve that many drummers would have a hard time duplicating and certainly is much more complicated and well put together than anything that could have come from any of the other members of the group
bass - totally in the JD style and sound, using precisely the same droning string moving up and down a fourth with another lick on top as you will find in She's Lost Control and Twenty Four Hours
guitar - this part is a little harder to nail down since it is about as similar to the material on Movement as it is to any of the mature JD songs, but the sound of Barney rocking out on a couple of thick, simple chords letting his Vox do what it does best seems more JD to me; the guitar melody also leans to the JD side to me, it reminds me of Disorder and the whole song is sort of like an up tempo Autosuggestion.
The arrangement developed and used by JD when they did the song is the same one New Order uses today, except for some lyrics being misplaced, and Hooky slightly changing the bass melody on the bridge (forever... watching love grow...) to go up to his high note instead of down to the open string like he did with JD and some early NO versions - I consider both of those differences to be mistakes or laziness, not improvements by any means.
"Perhaps you were the lucky ones who had a boot of the Brum Uni show back in 1980 then were dismayed that those upstarts released it eight months later without Ian. But you weren't, were you? I'd bet ten to the dozen that the first time you heard this song was a New Order version."
In my case you'd lose the bet, as I first heard the song on Still. I had heard some New Order at that point but it was JD that really drew me in, I had not yet checked out any earlier NO than what was current at that time (mid 80s).
But none of this really matters, does it ? When or under what circumstances we first heard the song, or how many times we like it, which 'band' we like better, how well we like them, etc. That's all after the fact trivia that has nothing to do with the making of the song, which obviously happened before any of us heard it.
I have a big problem with revisionist, retroactive assignment of authorship without the consent of the actual creators of any kind of art by people who weren't involved. That whole notion stinks and reminds me of the lame rationalizations people go through to justify theft of intellectual property (napster, etc). As a person who creates things and doesn't often see any cash as a result of it, this hits home to me. Anybody that thinks this thread is out of hand is welcome to browse the archives of the boards at prosoundweb.com, we had a battle royal on that topic a while back that has at least 4 times the responses as this one, with many of them lengthy essays (I'm guilty of that). I mean, it's great to be a loyal fan and to defend what you think is the honor of 'your group' or something, but to whatever extent the original question was about authorship, as opposed to the vague notion of who a song is associated with among music listeners, there is simply no question. There's a certain kind of 'ownership' of a song that will always belong to those who created it, regardless of how well or how many times or how much better known someone else's performance is.